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SERIKAT · Study project and venture

Quality is made by hand.

A platform idea to bring designers, craftspeople and buyers together — and a real attempt to build a business around small series.

Explore the case
Role
Platform and app concept, web and editorial design; co-founder
Timeframe
2013–2015
Context
HfG Schwäbisch Gmünd → SERIKAT venture
Status
Not continued · prototypes, pre-launch site and pitches

Brunhilde: the making of a cuckoo clock, 2013

01 / Starting point

Good ideas need more than a drawing.

Designers had ideas to make, craftspeople had the skills to make them, and buyers could discover objects with a story beyond mass production. We imagined a service that would bring all three together around small series.

In a team of eight at HfG Schwäbisch Gmünd, I worked on the platform and app concept, designed the website and, with Anika Flessner, the magazine. In 2014 I co-founded SERIKAT to take the idea further.

Three groups around one platformDesigners at the top, makers at the bottom left and buyers at the bottom right, connected in a triangle around the platform in the middle. PLATFORM Designers Makers Buyers
  1. Designers

    Ideas were staying in drawers. Young designers often had concepts but no path to a skilled workshop. The platform was conceived as a way to find a maker and develop the product together.

  2. Makers

    Would a busy workshop join? Craftspeople brought the material knowledge and the ability to make. We proposed new collaborations and visibility, but many of the workshops we had in mind were already fully booked. More orders alone were not a strong incentive.

  3. Buyers

    Buying could mean knowing who made it. For buyers, the proposal was a curated alternative to anonymous mass production: objects whose designers, makers, materials and making process were visible.

Three groups, one platform. The relationship began with Hand und Werk; the three-sided value proposition came from the pitch, not from proven market demand. · Illustration

02 / Discovery

Start with how people choose, make and buy.

The 2013 university project, then called Hand und Werk, began with maker interviews, competitor research, personas and a survey about furniture buying. We mapped a service before deciding what each medium should do.

Interviews with makers and research into existing shops and labels came first. Stakeholders, personas and a customer journey then exposed the handoffs between people.

A WordPress shop prototype, product data import, app screens and the magazine made the idea testable as a system.

A maker marking material at a workbench
Workshop visit for the maker profile of Pakamoko (Patrick Kaczmarek and Moritz Köhn), 2013. Visits like this grounded the concept in actual processes. · Original material
Spread from the 2013 project documentation evaluating the online survey: bar charts, pie charts and radar charts on where people buy furniture, what they pay attention to and where they find inspiration
Evaluation of the online survey: 302 participants answered ten questions about furniture buying and inspiration; the average respondent was 25. Directional research, not proof of demand for a marketplace. · Original material
Original 2013 paper prototype of the Hand und Werk shop, with cut-out navigation and product tilesHand-drawn screens exploring the companion app for makers and designers
We made the service movable before making it digital: cut-out shop elements and app sketches let the team examine navigation, product discovery and collaboration as connected experiences, 2013. · Original material

03 / System

One platform idea. Three different jobs.

Hand und Werk already envisioned small series developed by designers and craftspeople, then discovered by buyers. The shop, collaboration app and magazine each played a distinct part in that platform concept.

Sheet of black, round seal-shaped badges with the words ‘Hand und Werk’ in many variants, some with red ribbons, one framed in red
One identity for all three media: my logo drafts for the Hand und Werk badge, June 2013. · Original material

A place to find the object and its maker.

The web shop brought products, materials, makers and purchase intent together. A WordPress prototype could import product records from a CSV file — an early attempt at one content source for the different channels.

2013 Hand und Werk website and shop concept: a red header with the badge, a photo of a sideboard and a grid of handpicked products
Hand und Werk website design, 2013. Some catalogue items were illustrative placeholders. · Original material
Original Hand und Werk app start screen, 2013
Original project coordination screen showing a proposed maker brief, 2013
Original 2013 app screens: entry and project coordination. The screens remained a concept. · Original material

A tool for the people making the work.

The app was designed for projects, orders, messages and contacts between designers and craftspeople. We deliberately resisted making it a smaller version of the shop: that would not have given its users a new reason to open it.

Give a product a place, a process and a person.

Issue 01/13 of Handgemacht focused on the Black Forest. Designed with Anika Flessner, it gave the objects room for long-form storytelling that a product card could not carry.

Open spread of the 2013 Handgemacht magazine
Student magazine, 2013. Third-party editorial content remains shown only within the original spread. · Original material
The original Hand und Werk shop prototype shown on a computer, tablet and phoneThe WordPress shop prototype on a computer screen, showing the product page for the cuckoo clock Brunhilde with price, photos and an add-to-basket button
From the original prototype, 2013: the same product catalogue considered for desktop, tablet and phone, and the WordPress shop with the product page for Brunhilde. Prototype views, not a live storefront. · Original material

04 / Product story

Brunhilde made the idea tangible.

Moritz Schmidt’s cuckoo clock became a way to show the whole chain: who designed it, who made it, where it came from and how someone might discover it. The object was real; the marketplace around it was still a concept.

Show the people and the work behind an object, not only its price.

Original sketchbook spread showing multiple concepts for Brunhilde’s cuckoo clock shape, dial and pendulum
Moritz Schmidt’s original sketches explored how a Black Forest cuckoo clock could keep its mechanical tradition while finding a simpler shape. · Original material
A drill shaping a wooden component of BrunhildeA craftsperson assembling Brunhilde’s clock mechanism
Wood shaped in the workshop, the mechanism assembled by hand. · Original material
Finished Brunhilde cuckoo clock on a tree in the Black Forest
Brunhilde, in the Black Forest. · Original material
A reader turning to the Brunhilde story in the printed Handgemacht magazine
The object had a life beyond the shop: in the magazine, readers could see its origin and making process. The digital and printed work told different parts of the same story. · Original material

05 / SERIKAT

One concept. Two contexts.

Hand und Werk began as a large student project. In 2014 Tobias Lauer and I explored taking essentially the same small-series platform into a business as SERIKAT. Designers, craftspeople and buyers — and the idea of bringing them together — remained at its core.

  1. A maker profile in the Hand und Werk website design, 2013: a workshop photo under a green header, then a portrait, the maker’s name, trade and location on dark ground

    Small series were the starting point.

    Hand und Werk already proposed a platform where designers and craftspeople could develop limited runs together. The shop, app and magazine gave making, coordination and discovery their own places.

    A maker profile in the Hand und Werk website design, 2013. · Original material

  2. The student project as a possible venture.

    SERIKAT joined seriell and Unikat — a series with the character of a one-off. We gave the existing platform concept a new identity, a site and a business pitch.

    SERIKAT website design walkthrough, 2014, silent excerpt. · Original material

  3. Slide ‘Kundennutzen / USP’ from the SERIKAT pitch deck: four circles for uncompromising quality, small series as group orders, transparency and local production, each with a few bullet points

    Making a small run viable.

    In the SERIKAT pitch, we described gathering buyer commitments before a workshop made a small batch. It made the existing platform idea more concrete as a business proposal. It was never a live ordering process.

    The customer-benefit slide of the SERIKAT pitch deck, 2015. · Original material

  1. Present

    A designer and a craftsperson put forward an object, with its materials, maker and process visible to buyers.

  2. Collect

    Buyers would commit before the batch was made. Their combined orders would determine when a small production run could begin.

  3. Make

    The craftsperson would make the agreed batch. The materials, workshop and process would remain part of each product story.

  4. Deliver

    The finished objects would go from the maker to their buyers.

How a group order would have worked, as proposed in the SERIKAT pitch. A business concept, not an account of completed orders; the number of buyers is an example. · Illustration

A new identity for the same conviction.

The 2014 site made the three participant groups visible and gave craft and product stories a stronger place. A pre-launch page went online; these screens and the film document the broader website design.

We gave buyers, craftspeople and designers their own routes into the service. The workshop invitation assumed that another sales channel would be attractive; our later recruitment experience challenged that assumption.

Original SERIKAT homepage design from 2014, inviting customers, craftspeople and designers through three separate entry points
Three entrances for one platform: the interface made the three-sided model visible. · Original material
SERIKAT start page, 2014: a cuckoo clock on a tree with the claim ‘Qualität wird von Hand gemacht’ and handpicked products belowSERIKAT shop page, 2014: a clothes rail by a white door, then rows of chairs and stoolsSERIKAT product page, 2014: a wooden table with price, links to the designer’s and the maker’s profiles and photos of the making processSERIKAT maker profile, 2014: the Pakamoko founders at work, a quote, their products and their workshop
The SERIKAT website design, November 2014: start page, shop, product and maker profile. · Original material

06 / What remains

Three sides had to arrive together.

We pitched SERIKAT at competitions and to investors and worked with Aalen University on market questions. The marketplace was never funded or launched.

Reflection

The platform only worked if designers, makers and buyers all joined, and many of the workshops we had in mind were already fully booked. What I would do differently: test why each group would join before the others are there, before designing brand and screens.

Pakamoko, a maker profile film from the original Hand und Werk project, 2013, silent excerpt. · Original material · Watch the full film on Vimeo ↗
Hand und Werk, 2013
Anika Flessner, Tobias Lauer, Martha Miosga, Timo Röhrig, Moritz Schmidt, Ralph Strehlow, Dominik Witzke, Shu Yang · HfG Schwäbisch Gmünd
Supervision
Prof. Dr. Susanne Schade, Prof. Jens Döring, Thomas Schönweitz
Magazine
Anika Flessner and Dominik Witzke
SERIKAT
Co-founded by Tobias Lauer and Dominik Witzke, with Daniel Glück and Moritz Schmidt · further contributors helped with the pitches
Market consulting
Daniel Glück, Christoph Kröner, Andreas Lindenmeier · Aalen University, supervised by Prof. Dr. Arndt Borgmeier
Material
Original 2013–15 project material. Screens are designs and prototypes; no marketplace was operating.

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